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Beloved principal dancer Ricardo Graziano, who has been dazzling audiences with his charismatic performances and generous partnering, was honored with a retrospective of his diverse choreography.
Eight years ago, Artistic Director Iain Webb suggested Graziano begin choreographing ballets – a wise move for a dancer of Graziano’s calibre to carry on his legacy. Great performers live on in our memories, yet dancer/choreographers solidify their place in dance history every time…Continue
The Asolo Repertory Theatre’s latest installment in its foray into young people’s theatre was by far its strongest and most universally appealing. With a simplistic set design comprised primarily a sky-high stack of suitcases, a small smattering of very smart black umbrellas, and symphonic lighting entirely in tune with the performances, director Theresa Heskins took the audience on an epic journey across continents and cultures.
Phileas Fogg (Andrew Pollard), an eccentric…Continue
I’ll never forget my coloring book from my “very young dancer” phase that provided a short synopsis of the most famous ballets with a chance to color a scene. The scene of sweet, beautiful Giselle in her trademark yellow and brown dress captivated me, and yet it took decades until I had the chance to see the full ballet, which closed this year’s tremendous Sarasota Ballet season.
This was my favorite performance by Victoria Hulland, who captured the purity of Giselle’s…Continue
“The Cake,” now playing at Asolo Repetory Theatre, was the show I was most eager to see on the theater’s schedule for this season. Bekah Brunstetter, who is also behind the wildly popular TV show “This is Us,” has written a masterpiece about the ways hearts and minds can be influenced, one person at a time, to create a more hopeful, inclusive world.
I often marvel that “This is Us” became such a sensation during the most divisive political period of my lifetime. People all…Continue